EALC 200: Approaches to the Study of East Asian Cultures (HC/BMC) Spring 2017: Korea

This groundbreaking anthology, edited by the veteran scholar who founded the field of Korean literature in the West, offers a representative selection from the four major genres of native Korean poetry: the Silla songs known as hyangga, Koryo songs, sijo, and kasa. The performance of oral songs was central to the religious life of ancient Koreans, and their passion for song and poetry is as evident in these texts today as it was to the earliest Chinese observers. Therefore, in addition to such classics as the Songs of Flying Dragons, the great eulogy-cycle compiled from 1445 to 1447, the volume also includes folk songs and shamanist narrative songs. Within each genre works are arranged chronologically so that the reader can trace artistic developments over time. The translations, many commissioned especially for this volume, have been prepared by distinguished scholars and literary translators and are fully annotated, making them ideal for use in the classroom.

Carefully selected and represented, the plays in this collection showcase both the fantastic and the realistic innovations of Korean dramatists during a time of rapid social and historical change. Stretching from 1962 to 2004, these seven works tackle major subjects, such as the close of the Choson dynasty and the aftermath of the Korean War, while delving into trenchant cultural issues, such as the marginalization of students who rebel against mainstream education and the role of traditional values in a materialistic society. Longtime scholar of Korea and its vibrant, politically acute theater, Richard Nichols opens with a general overview of modern Korean drama since 1910 and concludes with an appendix describing theater production and audience attendance in Seoul. He chooses works that aren't just for Korean audiences. These texts confront universal themes and situations, tackling the problem of ambition, the trouble with fidelity, and the complexity of sexual and interpersonal relationships. Nichols situates each work critically, historically, and culturally, including brief biographies of playwrights and extensive notes. A bibliography also provides alternative readings and the titles of additional plays currently available in English. Primed for production, these skillful translations provide Western directors with exciting new material for the stage. At the same time, they offer students and scholars a sophisticated survey of the modern Korean dramatic tradition.