Offers abstracts of journals, museum bulletins and yearbooks in the fields of art, architecture, decorative arts and photography. Covers abstracts from 1929-present, full-text articles 1997-present.
ARTstor
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A digital library that provides access to thousands of digital images derived from a variety of museum, library and archival collections. Images support a variety of disciplines including architecture, painting, sculpture, photography, decorative arts, and design. Coverage varies.
Companion to Roman Art
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Oxford Art Online
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Oxford Art Online is an art reference library that searches Grove Art Online, The Oxford Companion to Western Art, The Concise Oxford Dictionary of Art Terms, and The Encyclopedia of Aesthetics. This resource contains images, biographies, subject entries, and thematic timelines (antiquity to present).
This reconstruction of the sculptures on the Parthenon has been done by Columbia University. Effort has been made to indicate the narrative flow on each side of the temple.
The Beazley Archive at the University of Oxford maintains this extensive database (over 130, 000 images) on ancient Greek vases. It is searchable by theme, type of vase, inscription, painter, technique (e.g., white ground), and collection.
The Beazley Archive's Classical Art Research Centre has many other resources included the digitized Corpus Vasorum Antiquorum and a merged database that draws on 22 separate files including the Pottery Database.
Reconstructing the Slave by Kelly L. Wrenhaven
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ISBN: 9780715638026
Publication Date: 2012-05-10
Although the importance of slavery to Greek society has long been recognised, most studies have primarily drawn upon representations of slaves as sources of evidence for the historical institution, while there has been little consideration of what the representations can tell us about how the Greeks perceived slaves and why. Although historical reality clearly played a part in the way slaves were represented, Reconstructing the Slave stresses that this was not the primary purpose of these images, which reveal more about how slave-owners perceived or wanted to perceive slaves than the reality of slavery. Through an examination of lexical, visual and literary representations of slaves, the book considers how the image of the slave was used to justify, reinforce and naturalize slavery in ancient Greece.
Slaves and Other Objects by Page DuBois
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ISBN: 0226167895
Publication Date: 2008-03-15
Page duBois, a classicist known for her daring and originality, turns in this new book to one of the most troubling subjects in the study of antiquity: the indispensability of slaves in ancient Greece. DuBois argues that every object and text in the world of ancient Greece bears the marks of slavery and the need to reiterate the distinction between slave and free. And yet the ubiquity of slaves in ancient societies has been overlooked by scholars who idealize antiquity, misconstrued by those who view slavery through the lens of race, and obscured by the split between historical and philological approaches to the classics. DuBois begins her study by exploring the material culture of slavery, including how most museum exhibits erase the presence of slaves in the classical world. Shifting her focus to literature, she considers the place of slaves in Plato's Meno, Aristotle's Politics, Aesop's Fables, Aristophanes' Wasps, and Euripides' Orestes. She contends throughout that portraying the difference between slave and free as natural was pivotal to Greek concepts of selfhood and political freedom, and that scholars who idealize such concepts too often fail to recognize the role that slavery played in their articulation. Opening new lines of inquiry into ancient culture, Slaves and Other Objects will enlighten classicists and historians alike.
Slaves and Slavery in Ancient Greek Comic Drama by Ben Akrigg (Editor); Rob Tordoff (Editor)
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ISBN: 1107008557
Publication Date: 2013-01-31
How did audiences of ancient Greek comedy react to the spectacle of masters and slaves? If they were expected to laugh at a slave threatened with a beating by his master at one moment but laugh with him when they bantered familiarly at the next, what does this tell us about ancient Greek slavery? This volume presents ten essays by leading specialists in ancient Greek literature, culture and history, exploring the changing roles and representations of slaves in comic drama from Aristophanes at the height of the Athenian Empire to the New Comedy of Menander and the Hellenistic World. The contributors focus variously on individual comic dramas or on particular historical periods, analysing a wide range of textual, material-culture and comparative data for the practices of slavery and their representation on the ancient Greek comic stage.