MUSI 005B: Popular Music and Masculinities from Rock 'n' Roll to Boy Bands (SC): U.S. Pop Music History (SC)

2016. "David Hajdu begins Love for Sale, his personal history of pop music, in an unexpected place - not with nostalgic reminiscences of the 45s of his youth but with the sheet-music era at the end of the nineteenth century. It was not so much the beginning of popular music - many songs were already popular - as it was the beginning of the popular music industry. And if he's going to understand what his 45s meant to him, this is the place to start: the rise of Tin Pan Alley, of minstrelsy, of million-copy sellers and one-hit wonders and cultural arbiters decrying the baseness, simplicity, and signs of the end of times in popular music.From there, Hajdu takes us on more unexpected routes through the history of pop music - back to Alexander Graham Bell and the invention of records... and to his grandmother's collection of Italian crooners on shellac records that young Hajdu liberated from her New Jersey basement. And neither Italians nor New Jersey are incidental to his story - not just because of Frank Sinatra but because Hajdu's mum, a waitress in a chrome-clad diner on Route 22, helped shape the fate of a budding young music critic by introducing him to one of the diner's most prominent patrons, the writer of the timeless song 'I'm from New Jersey.'

2013. Larry Starr; Christopher Waterman. "Explore the rich terrain of American popular music with the most complete, colorful, and authoritative introduction of its kind. In the fourth edition of their best-selling text, American Popular Music: From Minstrelsy to MP3, Larry Starr and Christopher Waterman provide a unique combinationof cultural and social history with the analytical study of musical styles. This new edition traces the development of jazz, blues, country, rock, hip-hop, and other popular genres from their multicultural roots to the digital world of the twenty-first century."

2009, by Chris Smith. "Tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded. Organized chronologically to capture the flow of culture from one album to the next, this volume illuminates how these classic recordings reflected - and sometimes changed - the political, social, and economic culture of their eras. For each album, the book lists the basic publication information, including release date, label, and producer. Selected on the basis of their popular appeal and influence on later genres, the albums included represent a wide variety of genres, such as blues, jazz, rock, reggae, rockabilly, folk, soul, hip-hop, and country. A timeline of important events, a selected bibliography for further reading, and an appendix of albums that almost made the cut round out this volume, making it a gold mine of information for everyone who loves popular music."

2005, by Nicholas E. Tawa. "This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fitted within the context of the larger 20th century society are considered and explained clearly and fruitfully. The author also offers insight into why musical styles were seen to change as they did during this time period."

2002. Elizabeth F. Barkley. "For introductory, general education pop-music courses intended for students who have no prior musical training; courses on American Popular Music. Innovative, lively, and contemporary in focus, this comparative study of the multicultural music of the United States explores the five broad groups that constitute American society. With its blended approach; strong contemporary focus; and coverage of a wide variety of musical styles--from folk music, to banda."

2001. Rachel Rubin (Editor); Jeffrey P. Melnick (Editor) "Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the 20th century - the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, 11 essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups - across lines of race, ethnicity, class, gender, region and age."

2001, edited by Simon Frith. "This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world."

This encyclopedia's 30,000 entries cover all genres and periods of popular music from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music. The expanded Fourth Edition includes thousands of new entries on trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies

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