In Tripod, find books ABOUT an author, book or Black feminist topic that interests you. What are the keywords you would use?
How do I find where the book is shelved at Bryn Mawr?
Look at the book's "call number" to find its location.
Book locations are listed here.
How are the call numbers arranged on the shelf?
Materials are shelved by the "Library of Congress" call number classification system. If you need help locating a book, please ask at the Circulation desk!
What do I do if my book is checked out?
If the book is not listed as "available" it may be checked out. You can request a copy from outside the TriCollege Libraries by using EZ-Borrow / Interlibrary Loan.
Literature is shelved on the second floor of Canaday.
Browse in these call numbers for books about:
Audre Lorde's Transnational Legacies
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Among the most influential and insightful thinkers of her generation, Audre Lorde (1934--1992) inspired readers and activists through her poetry, autobiography, essays, and her political action. Most scholars have situated her work within the context of the women's, gay and lesbian, and black civil rights movements within the United States. However, Lorde forged coalitions with women in Europe, the Caribbean, Canada, Australia, New Zealand, and Africa, and twenty years after her passing, these alliances remain largely undocumented and unexplored. Audre Lorde's Transnational Legacies is the first book to systematically document and thoroughly investigate Lorde's influence beyond the United States. Arranged in three thematically interrelated sections -- Archives, Connections, and Work -- the volume brings together scholarly essays, interviews, Lorde's unpublished speech about Europe, and personal reflections and testimonials from key figures throughout the world. Using a range of interdisciplinary approaches, contributors assess the reception, translation, and circulation of Lorde's writing and activism within different communities, audiences, and circles. They also shed new light on the work Lorde inspired across disciplinary borders. In addition the volume editors, contributors include Sarah Cefai, Cassandra Ellerbe-Dueck, Paul M. Farber, Tiffany N. Florvil, Katharina Gerund, Alexis Pauline Gumbs, Gloria Joseph, Jackie Kay, Marion Kraft, Christiana Lambrinidis, Zeedah Meierhofer-Mangeli, Rina Nissim, Chantal Oakes, Lester C. Olson, Pratibha Parmar, Peggy Piesche, Dagmar Schultz, Tamara Lea Spira, and Gloria Wekker.
Black Feminist Cultural Criticism
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Black Feminist Cultural Criticism is the first comprehensive analysis of the full range of Black women's creative achievements. In this outsdanding collection, writers and scholars in literature, film, television, theatre, music, art, material culture, and other cultural forms explicate Black women's artistry within the context of an activist framework. The contributors are concerned with the politics of cultural production and the ways in which Black women have confronted institutional and social barriers.
Black on Both Sides: A racial history of trans identity
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The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.
Colonize This! : Young women of color on today's feminism
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A new generation of outspoken women of color offer a much-needed fresh dimension to the shape of feminism of the future. In Colonize This!, Daisy Hernandez and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing, Colonize This! will reach the hearts and minds of readers who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all colors.
Funk the Erotic: Transaesthetics and black sexual cultures
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Funk. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic , L. H. Stallings uses funk in all its iterations as an innovation in black studies. Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking "the truth of sex" and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization. Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements.
Gender and Identity in North Africa: Postcolonialism and feminism in Maghrebi women's literature
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Literary fiction has always provided an outlet for social and political critique. In the writing of key North African women authors, the dissection of Maghrebi society is at the very heart of the narratives. Here, Abdelkader Cheref charts the rise of postcolonial literature written by women from the Maghreb, and provides the first comparative analysis of three of the region's most prominent contemporary authors: Assia Djeba (Algeria), Leila Abouzeid (Morocco) and Souad Guellouz (Tunisia). These writers are united in their depictions of a post-independence socio-political malaise in the Maghreb; their explorations of marginaliszed women's voices; and their own quests for their voices to be heard beyond the rigid constraints of patriarchy. This book is essential comparative reading for students and researchers wishing to understand the connections between literature, history and culture in postcolonial North Africa.
Gender in African Women's Writing
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This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists.... offers illuminating interpretations of worthy writers... " --Multicultural Review This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." --Choice ... a college-level analysis which will appeal to any interested in African studies and literature." --The Bookwatch This book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, B#65533;, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.
How We Get Free
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The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today's struggles. Keeanga-Yamahtta Taylor writes on Black politics, social movements, and racial inequality in the United States. Her bookFrom #BlackLivesMatter to Black Liberation won the 2016 Lannan Cultural Freedom Award for an Especially Notable Book. Her articles have been published inSouls: A Critical Journal of Black Politics, Culture and Society, Jacobin, New Politics, The Guardian, In These Times, Black Agenda Report, Ms., International Socialist Review, and other publications. Taylor is Assistant Professor in the Department of African American Studies at Princeton University.
Island Bodies:Transgressive sexualities in the Caribbean imagination
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Caribbean Studies Association Gordon K. and Sybil Lewis Prize "Outstanding. One of the best examinations of the dissonance between official sexual ideologies and actual social and cultural practices I have had the pleasure of reading."--David William Foster, author of S#65533;o Paulo: Perspectives on the City and Cultural Production "A thoughtful exploration of how Caribbean women and sexual minorities are at the center of a sexual revolution that refuses containment within Euro-American concepts of identity and sexuality. This is an unprecedented sexual revolution, led by sexual minorities, transforming the region and giving new meanings to what inclusion and liberation look like."--Amalia L. Cabezas, author of Economies of Desire: Sex Tourism in Cuba and the Dominican Republic In Island Bodies, Rosamond King examines sexualities, violence, and repression in the Caribbean experience. Analyzing the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture, King skillfully demonstrates how many individuals contest traditional roles by maneuvering within and/or trying to change their society's binary gender systems. These transgressions have come to better represent Caribbean culture than the "official" representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes. Unique in its breadth as well as its multilingual and multidisciplinary approach, Island Bodies addresses homosexuality, interracial relations, transgender people, and women's sexual agency in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. Additionally, King explores the paradoxical nature of sexuality across the region: discussing sexuality in public is often considered taboo, yet the tourism economy trades on portraying Caribbean residents as hypersexualized. Ultimately King reveals that despite the varied national specificity, differing colonial legacies, and linguistic diversity across the islands, there are striking similarities in the ways Caribglobal cultures attempt to restrict sexuality and in the ways individuals explore and transgress those boundaries.
No Tea, No Shade: New writings in Black queer studies
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The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions. Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ram#65533;n H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler
Not My Mother's Sister: Generational conflict and third-wave feminism
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No matter how wise a mother's advice is, we listen to our peers." At least that's writer Naomi Wolf's take on the differences between her generation of feminists--the third wave--and the feminists who came before her and developed in the late '60s and '70s--the second wave. In Not My Mother's Sister, Astrid Henry agrees with Wolf that this has been the case with American feminism, but says there are problems inherent in drawing generational lines. Henry begins by examining texts written by women in the second wave, and illustrates how that generation identified with, yet also disassociated itself from, its feminist "foremothers." Younger feminists now claim the movement as their own by distancing themselves from the past. By focusing on feminism's debates about sexuality, they are able to reject the so-called victim feminism of Catherine MacKinnon and Andrea Dworkin. Rejecting the orthodoxies of the second wave, younger feminists celebrate a woman's right to pleasure. Henry asserts, however, that by ignoring diverse older voices, the new generation has oversimplified generational conflict and has underestimated the contributions of earlier feminists to women's rights. They have focused on issues relating to personal identity at the expense of collective political action. Just as writers like Wolf, Katie Roiphe, and Rene Denfeld celebrate a "new" feminist (hetero)sexuality posited in generational terms, queer and lesbian feminists of the third wave similarly distance themselves from those who came before. Henry shows how 1970s lesbian feminism is represented in ways that are remarkably similar to the puritanical portrait of feminism offered by straight third-wavers. She concludes by examining the central role played by feminists of color in the development of third-wave feminism. Indeed, the term "third wave" itself was coined by Rebecca Walker, daughter of Alice Walker. Not My Mother's Sister is an important contribution to the exchange of ideas a
Queer African Reader
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As homophobia and transphobia threaten to silence the voices of African lesbian, gay, bisexual, transgender, and intersex (LGBTI) people, this account is a testament to the resistance and unrelenting power of these communities across Africa and its diaspora. It brings together academic writings, political analysis, life testimonies, conversations, and artistic works by Africans that engage with the struggle for LGBTI liberation. The book aims to engage the audience from the perspective that various traits of identity—such as gender, race, and class—interact to contribute to social inequality. Including experiences from diverse African contexts, this work breaks away from the homogenization of Africa as the homophobic continent to highlight the complexities of LGBTI lives and experiences through their own voices.
Recyclopedia
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Recyclopedia shows the extraordinary development of Harryette Mullen's career in her books Trimmings, S*PeRM**K*T and Muse & Drudge, all originally published in the 1990s and now made available again to new readers. These prose poems and lyrics bring us into collision with the language of fashion and femininity, advertising and the supermarket, the blues and traditional lyric poetry. With a new preface by the author, Recyclopedia is a major gathering of work by one of the most exciting and innovative poets writing in America today.
So Long a Letter
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Ba's writing challenges many prevalent stereotypes that reinforce the African woman's acceptance of her "place" in society. Her first novel, So Long a Letter (1979), which revealed her clarity of vision and persuasive rhetoric, is written in an epistolary style. The long letter from one female friend to another is a deeply moving account of a Muslim woman's innermost feelings and emotional survival following her husband's decision to take a second, and much younger, wife. The novel has been translated into more than 15 languages and has received international acclaim.
Some of Us Did Not Die: New and selected essays of June Jordan
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Poet and activist June Jordan wrote her way to the forefront of political analysis, witness and moral summoning for more than half a century. These important new essays, along with work drawn from every phase of her prolific career, document her ongoing leadership and commitment in every conflicted sphere of our second millennium lives: the varieties of supremacist values and policies; the theft of democracy inside the United States; racial and gender inequality, and the arrogance that upholds all forms of justice. In Some of Us Did Not Die, June Jordan calls us to a faithful position of outspoken resistance and hope.
This Bridge Called My Back: Writings by radical women of color
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This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.
The Truth That Never Hurts:Writings on race, gender, and freedom
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This work brings together more than two decades of literary criticism and political thought about gender, race, sexuality, power and social change. As one of the first writers in the United States to claim black feminism for black women in the early 1970s, Barbara Smith's work has been groundbreaking in defining a black women's literary tradition; in examining the sexual politics of the lives of black and other women of colour; in representing the lives of black lesbians and gay men; and in making connections between race, class, sexuality and gender.
Words of Fire: An anthology of African-American feminist thought
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The first major anthology to trace the development, from the early 1800s to the present, of black feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall's comprehensive collection of writings, in the feminist tradition, of more than sixty African American women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of contemporary feminist critics Michele Wallace and bell hooks, black women have been writing about the multiple jeopardies--racism, sexism, and classicm--that have made it imperative for them to forge a brand of feminism uniquely their own. List of Contributors: Margaret Walker Alexander Sadie Tanner Mosell Alexander Frances Beale Shirley Chisholm Cheryl Clarke Pearl Cleage Johnnetta B. Cole Patricia Hill Collins The Combahee River Collective Anna Julia Cooper Angela Davis Alice Dunbar-Nelson Julia A.J. Foote Amy Jacques Garvey Paula Giddings Jacquelyn Grant Patricia Haden Evelynn Hammonds Lorraine Hansberry Frances Ellen Watkins Harper Elizabeth Higginbotham Darlene Clark Hine bell hooks Claudia Jones June Jordan Gloria Joseph Florynce "Flo" Kennedy Deborah K. King Linda La Rue Audre Lorde Tracye Matthews Elise Johnson McDougald Donna Middleton Gertrude Bustill Mossell Pauli Murray Barbara Omolade Barbara Ransby Beth E. Richie Patricia Robinson Barbara Smith Maria Miller Stewart Ula Taylor Mary Church Terrell Pauline Terrelonge Sojourner Truth Alice Walker Michele Wallace Mary Ann Weathers Ida Wells-Barnett E. Frances White Margaret Wilkerson
