Silent Parade in protest against the East St. Louis massacre, Harlem, New York, 1917 (Source: Wikimedia Commons, Public domain)
Background
The Image of the Black in Western Art.
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Updated, multi-volume history with extensive illustrations. See these volumes: v. 3. pt. 3. From the "Age of Discovery" to the Age of Abolition : the eighteenth century -- v. 4. pt. 1. From the American Revolution to World War I : slaves and liberators -- v. 4. pt. 2. From the American Revolution to World War I : Black models and White myths -- v. 5. pt. 1. The twentieth century : the impact of Africa -- v. 5. pt. 2. The Twentieth Century: the Rise of Black Artists.
Books include many illustrations of artworks as well as interpretive essays. See, for example, Vol. 5, The Twentieth Century, Part 2: The Rise of Black Artists Childs, Adrienne L. “Activism and the Shaping of Black Identities (1964–1988),” pages 131-178. The full set of volumes was published in 2010-2014.
Oxford Art Online
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Oxford Art Online is an art reference library that searches Grove Art Online, The Oxford Companion to Western Art, The Concise Oxford Dictionary of Art Terms, and The Encyclopedia of Aesthetics. This resource contains images, biographies, subject entries, and thematic timelines (antiquity to present).
Routledge Companion to African American Art History
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Essays of interest cover the Harlem Renaissance, African American photography and the legacy of representing Black womanhood.
These photographs were selected by W. E. B. Du Bois. He arranged 363 images into themed albums for people at the fair.
JSTOR Images (formerly Artstor)
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A digital library that provides access to thousands of digital images derived from a variety of museum, library and archival collections. Images support a variety of disciplines including architecture, painting, sculpture, photography, decorative arts, and design.
Phtographs are drawn from collections of family photographs, the records of a professional woman's school, work by two photographers who documented early African-American institutions of higher learning, and the personal collections of various individuals.
A digital collection of anti-lynching drawings published in African American periodicals during the 1880s and 1890s. The collection makes available hard-to-find images that African American editors and artists used to shape political consciousness before 1900.