THEA 015: Performance Theory and Practice (SC)

2007, Janelle G. Reinelt and Joseph R. Roach, editors. "Critical Theory and Performance presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres--from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory's rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.   This updated and expanded edition presents nineteen new essays by the field's leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship."

2013 (3rd ed.), by Richard Schechner. "In this second edition, the author opens with a discussion of important developments in the discipline. His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics. User-friendly, with a special text design, Performance Studies: An Introductionalso includes the following features: numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world."

2003, by Marvin Carlson, from The Oxford Encyclopedia of Theatre and Performance; a good review article with a short bibliography.

2002, by Mark Fortier. "This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatreprovides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory. This new edition includes: * More detailed explanation of key ideas * New 'Putting it into practice' sections at the end of each chapter so you can approach performances from specific theoretical perspectives. Annotated further reading section and glossary. Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies."

2000, "Daniel Gerould's landmark work, Theatre/Theory/Theatre , collects history's most influential Eastern and Western dramatic theorists poets, playwrights, directors and philosophers whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written."

1974, by Bernard F. Dukore. "The chief purpose of this book is to make available the major documents in dramatic theory. Some are important historically, some intrinsically; others have both historic and intrinsic value. Apart from presenting such writings by dramatic theorists and critics, the book also aims to offer works by philosophers, psychologists, and social theorists, and by dramatic authors. The selections include theories and analyses of the major, traditional dramatic genres, from ancient to modern times, and of modern genres, forms of drama, and conceptions of theatre. It is a thread that may be traced throughout the anthology. Another thread is a contrast between traditional and more 'avant garde' dramas. In addition, there is discussion of social contexts and resonances of the drama, dramatic action and playwriting, dramatic illusion, and Shakespearean criticism."

1965, by Barrett Harper Clark. "An Anthology of Dramatic Theory and Criticism from Aristotle to the Present Day, in a Series of Selected Texts, with Commentaries, Biographies, and Bibliographies"

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