Encyclopedia of Arab Women Filmmakers by Rebecca HillauerArab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts--and constraints--of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries--Egypt, Iraq, Lebanon, Syria, Algeria, among others--from which these artists emerged.In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's 'model,' one that is far removed from western clichés. Broad in scope, and rich in insight, Arab Women Filmmakers is a must read for cineastes as well as students of film, feminism, and the Middle East.
Historical Dictionary of Middle Eastern Cinema by Terri Ginsberg; Chris LippardThe Historical Dictionary of Middle Eastern Cinema covers the production and exhibition of cinema in the Middle East and in communities whose heritage is from the region and whose films commonly reflect this background. It covers the cinemas of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabia, and Yemen. In addition, it includes the non-Arab states of Turkey and Iran, as well as the Jewish state of Israel. To a substantial degree, cinema has served to define the character of the peoples and nations of the Middle East. With that in mind, the content and arrangement of entries in this volume works to introduce and emphasize both the national and transnational character of Middle Eastern cinema, which includes not only its indigenous but its colonial aspects as well, both external and internal to the geographical regions themselves. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on individual films, filmmakers, and actors. It also covers the range of cinematic modes, from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda.
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Provides detailed information on films from around the world, including production and cast information, plot summaries, background notes, awards listings, and citations to reviews and other secondary literature. Offers simultaneous searching of the American Film Institute Catalog, the British Film Institute's Film Index International, and FIAF International Index to Film Periodicals. Covers 1893 - present.
Offers citations to literature on Islam, the Middle East and Muslim areas of Asia and Africa, and Muslim minorities elsewhere. Includes citations to journal articles, conference proceedings, books, and book reviews from 1906 to present.
New Voices in Arab Cinema by Roy ArmesNew Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.
Ten Arab Filmmakers by Josef Gugler (Editor)Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world--Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism--theirs is a cinéma engagé. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman.
Popular Egyptian Cinema by Viola ShafikIn this groundbreaking work, film scholar Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. Turning a critical eye on a major player in Egyptian cultural life, Shafik examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization.In unearthing the largely contradictory meanings conveyed by different films, Popular Egyptian Cinema examines a broad array of themes, from gender relations to feminism, Islamism and popular ideas about sexuality and morality. Focusing on representations of religious and ethnic minorities--primarily Copts, Jews, and Nubians--Shafik draws out issues such as the formation of the Egyptian nation, cinematic stereotyping, and political and social taboos. Shafik also considers pivotal genres, such as melodrama, realism, and action film, in relation to public debates over highbrow and lowbrow culture and in light of local and international film criticism.