EALC 370: Pure Land Buddhism in East Asia (HC/BMC)

In this second edition of the best-selling Introduction to Buddhism, Peter Harvey provides a comprehensive introduction to the development of the Buddhist tradition in both Asia and the West. Extensively revised and fully updated, this edition draws on recent scholarship in the field, exploring the tensions and continuities between the different forms of Buddhism. Harvey critiques and corrects some common misconceptions and mistranslations, and discusses key concepts that have often been over-simplified and over-generalised. The volume includes detailed references to scriptures and secondary literature, an updated bibliography and a section on web resources. Key terms are given in Pali and Sanskrit, and Tibetan words are transliterated in the most easily pronounceable form, making this is a truly accessible account. This is an ideal coursebook for students of religion, Asian philosophy and Asian studies, and is also a useful reference for readers wanting an overview of Buddhism and its beliefs.

"Exemplary for its organization and writing, this work is likely to become the standard single-volume text on Buddhism for the student, whether within the walls of the academy or without." --Starred Review, Library Journal Buddhisms: An Introduction represents a novel way of presenting the whole of the Buddhist tradition in its unity and multiplicity. Clear in its explanations, replete with tables and suggestions for further reading, it should appeal to students, yet also be of interest to scholars for some of its ways of viewing the Buddha, his teachings, and the Buddhist community through the ages.

An ideal introduction to Buddhism for anyone who has unanswered questions about one of the world′s largest and most popular religions. A fascinating, short book that challenges us to strip away existing preconceptions we may have about Buddhism Considers questions such as: Can we talk of Buddhism as a unified religion or are there many Buddhisms? Is Buddhism a religion of tolerance and pacifism as many people think? And is Buddhism a religion without god(s), or is it more of a philosophy than a religion? Traces the basic history, beliefs and nature of Buddhism in easy-to-understand language Written by renowned Buddhist scholar, Bernard Faure, it is an ideal introduction for anyone who has unanswered questions about one of the world′s largest and most popular religions

The discourse of Buddhist studies has traditionally been structured around texts and nations (the transmission of Buddhism from India to China to Japan). And yet, it is doubtful that these categories reflect in any significant way the organizing themes familiar to most Buddhists. It could be argued that cultic practices associated with particular buddhas and bodhisattvas are more representative of the way Buddhists conceive of their relation to tradition. This volume aims to explore this aspect of Buddhism by focusing on one of its most important cults, that of the Buddha Amitabha. Approaching the Land of Bliss is a rich collection of studies of texts and ritual practices devoted to Amitabha, ranging from Tibet to Japan and from early medieval times to the present.

Four Shin Buddhist thinkers reflect on their tradition's encounter with modernity.

Buddhism has a history of over 2,500 years, and its arts have existed for almost as long, weaving their way with monks and pilgrims through broad areas of Asia and across seas, intermingling with the arts and styles of indigenous cultures. Not surprisingly, the teachings and imagery of this international religion are vast and complex, and the task of deciphering Buddhist symbolism can seem as challenging as the search for enlightenment itself. All the principal symbols, objects, and figures of Buddhist worship are gathered here in a rich, informative, and easy-to-use book that will serve equally well as an art-lover's reference tool and as an introduction to the principles of the religion. Photographs and two-color line drawings and maps accompany the explanatory texts. With a comprehensive glossary of key Buddhist terms and a well-researched bibliography, this book will prove indispensable to anyone with an interest in Buddhism and its arts.

From the earliest period through the 19th century, from every country in Asia where Buddhism has flourished, this book is a survey of the world of Buddhist art which features both its images and the philosophy behind them.

According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.