ARTS 202: Enactment and Reenactment (HC)

TriArte features art and artifacts from Bryn Mawr, Haverford, and Swarthmore Colleges. For finding photographs, you can enter the photographer's name in the Quick Search box. You can see Haverford's full holdings by choosing Browse the Collection by College and then Photographs. The Filter Results give listings for individual photographers.
Note too that different information is displayed about a photo according to the View you choose.

ArtStor has the majority of the material you will find in TriArte, but with higher quality scans of our photography collection. At the top of the page, click on "Enter Artstor Digital Library" and either login or sign up at the top of the page.
Enter, for example, a photographer's name in the search box and choose "Haverford College Image Collections" in the second box. Compare this version of the Subway Rider with the photo on this page from Triarte.

This listing of prints in the collection is available in the Reference Room in Lutnick Library. Note that the supplement is arranged in four sections by the year the print was acquired.
Includes information on photographic technique and photographers' life span. The coverage ends with photographs acquired in 2012. For updates on newly acquired photographs, see the paper copy of the list kept in Special Collections which is updated with hand-written notes.

Van Vechtan is best known for his photographs of the Harlem Renaissance.

Van Der Zee was a leading figure in the Harlem Renaissance best known for his photographs of Black New Yorkers.

Davidson is well-known for his photographs of the Civil Rights movement and New York city.

Cyrus, a contemporary photographer, often photographs subjects in Camden, New Jersey.

Contemporary photographer Shabazz often works in New York City.

Taken to promote abolition, these photographs featured images and stories of children who read as "white" to Northern audiences.

Daguerreotype, 1856

1862 photograph by Alexander Gardner

Unknown artist, 1862.

Flip Schulke, 1968

C. M. Battey