"The Destiny of Earthseed / Is to take root among the stars"
-- Octavia Butler, Parable of the Sower
"The term [Afrofuturism] was coined by Mark Dery in 1993 but birthed in the minds of enslaved Africans who prayed for their lives and the lives of their descendants along the horrific Middle Passage. The first Afrofuturists envisioned a society free from the bondages of oppression—both physical and social. Afrofuturism imagines a future void of white supremacist thought and the structures that violently oppressed Black communities. Afrofuturism evaluates the past and future to create better conditions for the present generation of Black people through the use of technology, often presented through art, music, and literature."
-- Taylor Crumpton, Afrofuturism has Always Looked Forward
Spirits haunt the flooded streets of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A Black mother in the Jim Crow South must save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story "The City Born Great," a young street kid fights to give birth to an old metropolis's soul.
Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie's Reaper mother summoned forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope. Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.
Hicks invokes the spirits of mothers and daughters, sex workers and widows, to conjure an alternative to their own early deaths and the deaths of those whom they have already lost. In this collection about resilience, Hicks speaks about giving her child up for adoption, mourning the death of her fiancé, and embracing the nonbinary femme body--persevering in the face of medical malpractice, domestic abuse, and police violence. The poems find people transformed, "remade out of smoke & iron" into cyborgs and wolves, machines and witches--beings capable of seeking justice in a world that refuses them the option.
The graphic novel follows the journey of Wale Williams, an impetuous young adult who inherits a suit with super powers after his father goes missing. Tricked into returning home to Lagoon City, Nigeria following a five year absence, Wale embarks on a journey to investigate his father's mysterious disappearance. As he comes to understand the suit's powers, Wale realises he must restore hope to his city by preventing catastrophic attacks from the sociopathic, Oniku, leader of an extremist group called The Creed.
The year is 2172. Climate change and nuclear disasters have rendered much of Earth unlivable. Only the lucky ones have escaped to space colonies in the sky. In a war-torn Nigeria, battles are fought using flying, deadly mechs and soldiers are outfitted with bionic limbs and artificial organs meant to protect them from the harsh, radiation-heavy climate. Across the nation, survival becomes the only way of life. Onyii and Ify’s lives have been marked by violence and political unrest. Still, they dream of peace, of hope, of a future together. And they're willing to fight an entire war to get there.
Obsessive and withdrawn, Aster lives in the low-deck slums of the space vessel HSS Matilda. When the autopsy of the ship’s sovereign reveals a link between his death and the suicide of Aster’s mother, she begins sewing the seeds for civil war, and learns there may be a way off the ship if she’s willing to fight for it.
Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers. Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again -- but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.
An alien ship rests over Water Island. For five years the people of the US Virgin Islands have lived with the Ynaa, a race of superadvanced aliens on a research mission they will not fully disclose. They are benevolent in many ways but meet any act of aggression with disproportional wrath. This has led to a strained relationship between the Ynaa and the local Virgin Islanders and a peace that cannot last. A year after the death of a young boy at the hands of an Ynaa, three families find themselves at the center of the inevitable conflict, witnesses and victims to events that will touch everyone and teach a terrible lesson.
Tracker is known far and wide for his skills as a hunter. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? And perhaps the most important questions of all: Who is telling the truth, and who is lying?
This is the way the world ends…for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.
This graphic novel powerfully renders Butler's mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century. Butler's most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre-Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana's own ancestors, and the many people who are enslaved by him.
Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren's father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, war, and chronic shortages of water, gasoline, and more. When fire destroys their compound, Lauren's family is killed and she is forced out into a world that is facing apocalypse. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.
The water-breathing descendants of African slave women tossed overboard have built their own underwater society--and must reclaim the memories of their past to shape their future. Yetu holds the memories for her people--water-dwelling descendants of pregnant African slave women thrown overboard by slave owners--who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one--the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities--and discovers a world her people left behind long ago.
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God's Drums.But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God's Drums from being unleashed and wiping out the entirety of New Orleans.
The world building of Wakanda continues in a love story where tenderness is matched only by brutality! You know them now as the Midnight Angels, but in this story they are just Ayo and Aneka, young women recruited to become Dora Milaje, an elite task force trained to protect the crown of Wakanda at all costs. Their first assignment will be to protect Queen Shuri... but what happens when your nation needs your hearts and minds, but you already gave them to each other? Meanwhile, former king T'Challa lies with bedfellows so dark, disgrace is inevitable. Plus, explore the true origins of the People's mysterious leader, Zenzi. Black Panther thinks he knows who Zenzi is and how she got her powers - but he only knows part of the story!
Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family. Young Ada is troubled, prone to violent fits. Born "with one foot on the other side," she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters--now protective, now hedonistic--move into control.
These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
Set in an alternative world where aliens have come to Earth and integrated with society, LaGuardia revolves around a pregnant Nigerian-American doctor, Future Nwafor Chukwuebuka who has just returned to NYC under mysterious conditions, who smuggles an illegal alien plant named 'Letme Live' through customs and security. There, she and Letme become part of a growing population of mostly African and shape-shifting alien immigrants, battling against interrogation, discrimination and travel bans, as they try to make it in a new land.
The Black Panther has disappeared, lost on a mission in space. And in his absence, everyone's looking at the next in line for the throne. But Shuri is happiest in a lab, surrounded by gadgets of her own creation. She'd rather be testing gauntlets than throwing them. But a nation without a leader is a vulnerable one - and Shuri may have to choose between Wakanda's welfare and her own.
Once known as the greatest monster hunters of all time,the Sangerye family specialized in curing the souls of those infected by hate,but those days are fading. A terrible tragedy has claimed most of the family, leaving the surviving cousins split between curing monsters and killing them.Now, with a new breed of monster loose on the streets of Harlem, the Sangerye family must come together, or watch the human race fall to untold evil.
King Aja Ọba and Queen Lewa are revered across the African continent for their impressive political and military skills. Yet the future of their kingdom is in jeopardy, for the royal couple do not have an heir of their own. When the King kidnaps his son born to a concubine, Obinrin, she curses Ọba with the "gift" of immortality. INFINITUM presents a unique cosmic experience, addressing issues of racism, classism, gender inequity, the encroachment of technology and the spiritual cost of war, while exposing the history behind ancient mysteries.
Dana, a modern Black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Kindred is a classic time travel novel by an acclaimed African-American science fiction writer.
In South Africa, the future looks promising. That is, if they can survive the present challenges. It's up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there's a future left to worry about.
The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother.
In the aftermath of Earth's final war, Lilith awakens to see a shadowy figure -- Jdahya, one of the Oankali, a race that has decided to save the human race from itself. Lilith learns that the Oankali are gene traders who interbreed with failing species so that both races can survive. Jdahya proposes that Lilith mate with a third sex in their culture, creating human-alien hybrids who do not have humanity's weaknesses. As her new world beckons, Lilith must decide if survival is worth the price.
In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost. The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species--rigidly bound to destructive social hierarchies--is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species--and they will not tolerate rebellion.
Foreward by William Gibson In Bellona, dead centre of the US, something has happened. The population has fled; madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young poet, lover and adventurer, known only as the Kid. Tackling questions of race, gender and sexuality, 'Dhalgren' is a literary marvel, a groundbreaking work of magical realism and one of the most profound and best-selling science fiction novels of all time. A literary landmark.
The futures of both humans and Oankali rest in one young being's successful metamorphosis into adulthood.
Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.
The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history.
A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of five hundred years of contact among Africa, Europe, and the Americas, reach toward the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism. The editors and contributors of this exciting volume thus reflect on the reemergence of black visions of political and cultural futures, proposing practices, identities, and collectivities.
Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future.
Alex Zamalin offers a groundbreaking examination of African American visions of utopia and their counterutopian counterparts. Considering figures linked to racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture.
While Ryan Coogler and Janelle Monáe may have helped bring the genre into contemporary pop consciousness, it in fact extends back to the writing of eighteenth-century poet Phyllis Wheatley and has continued in the work of Samuel R. Delany, Octavia E. Butler, N. K. Jemisin, and many others. In examining this heritage, contributors in this volume question generic boundaries, recover lost artists and introduce new ones, and explore how the meteoric rise of a new, pan-African speculative literary tradition may or may not connect with Afrofuturism.
Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the "Arkestra." Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created "space music" as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet.
Black Quantum Futurism (or BQF) is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future's reality. This vision and practice derives its facets, tenets, and qualities from quantum physics, futurist traditions, and Black/African cultural traditions of consciousness, time, and space. Inside of the space where these three traditions intersect exists a creative plane that allows for the ability of African-descended people to see "into," choose, or create the impending future.
Comprising elements of the avant-garde, science fiction, cutting-edge hip-hop, black comix, and graphic novels, "Afrofuturism" spans both underground and mainstream pop culture. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and all social limitations to empower and free individuals to be themselves. This book introduces readers to the burgeoning artists creating Afrofuturist works, the history of innovators in the past, and the wide range of subjects they explore.
John Akomfrah, director of Seven Songs of Malcolm X, returns with an engaging and searing examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology. This cinematic essay posits science fiction (with tropes such as alien abduction, estrangement, and genetic engineering) as a metaphor for the Pan-African experience of forced displacement, cultural alienation, and otherness. Akomfrah's analysis is rooted in an exploration of the cultural works of Pan-African artists, such as funkmaster George Clinton and his Mothership Connection , Sun Ra's use of extraterrestrial iconography, and the very explicit connection drawn between these issues in the writings of black science fiction authors Samuel R. Delaney and Octavia Butler.
